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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2015年04月第21卷第2期
   
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文章编号:1672-3104(2015)02-0222-06
 
论网络多媒体诗歌的全息审美形态——台湾与大陆的网络多媒体诗歌比较
 
曹金合
 
(菏泽学院文学与传播系,山东菏泽,274015)
 
摘  要: 与传统诗歌的审美形态相比,由于网络多媒体诗歌的传播媒介和创作载体的不同,自然形成了不同于传统诗歌的全息的审美形态。无论是台湾还是大陆的多媒体诗歌,尽管地域的不同导致在多媒体诗歌的审美赋型的过程中呈现出不同的审美形态,但如果采取求同存异的方式,取审美形态的全息性这一网络诗歌最核心的艺术表征而言,还是有许多共同之处的。具体表现在三个方面:首先,多种异质的审美元素的相互融合构成了多媒体诗歌最为鲜明的艺术表征;其次,这种动态的、虚拟的审美形态和文本互动的方式是以往任何一种诗歌形式所没有的;最后,多媒体诗歌最鲜明的形象直观的表征也是纸质诗歌所无法比拟的。不可否认的是多媒体诗歌的图像和音频在为诗歌提供感官的审美效果的同时,作为一柄双刃剑也对诗歌的审美功能造成了一定的伤害。
 
关键字: 网络多媒体诗歌;全息;审美形态
 
 
Holographic aesthetic theory of network multimedia poetry:comparison between network multimedia poetry inTaiwan and that in Mainland China
 
CAO Jinhe
 
(Department of Literature and Communication, Heze University, Heze 274015, China)
 
Abstract: Compared with traditional poetry in terms of the aesthetic form, the network multimedia poetry has its own different communication media and creation carrier, and the holographic aesthetic form is hence formed which is different from that of the traditional poetry. Different regions lead to different aesthetic forms in the process of multimedia poetry aesthetic shaping, but if we take the way of seeking the common ground while reserving differences and thus adopt the holographic aethetic form which is the core artistic representation of network poetry, the multimedia poetry either in Taiwan or in Mainland China shares many similarites. Some specific manifestations are in the following three aspects: first, the mutual fusion of various heterogeneous aesthetic elements is the most distinctive artistic representation of multimedia poetry; secondly, this dynamic and virtual mode of aesthetic form and text interaction is no longer what any kind of any form of poetry in the past had; finally, the most distinctive and vivid representation of multimedia poetry is not what the paper poetry can parallel. It is undeniable that the image and audio of multimedia poetry can provide the aesthetic effect for poetry, but at the same time bring certain damage as a double-edged sword.
 
Key words: network multimedia poetry; holography; aesthetic form
 
 
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